then very recently he said he didn’t set out to make The Thing to have politics and a bunch of people seized on that and were like What happened to just having a good time at the movies, those fuckin, Millennials and so on and it’s like... try reading anything else he’s ever said about meaning in his movies ok
it’s one of the lamest things about also-rans like Refn or even 50/50 greats like Scott that they do interviews or even make more movies as though their own work with others, good or bad, needs the director to speak for it, like they’re desperate to explain how it has depth or worth. Ridley Scott said that if he ever George Lucas’d Alien he would redo the whole part where Ash’s head gets knocked off because it played in practice as comedy of the grotesque and he wanted something different and guy... take your W
because they can all get online now and find the wiki about their movies where it’s like, these clues suggest that Arrival takes place in the same universe as Toy Story, and they realize, this is my legacy, these are the people who will force their children to watch my movie a dozen times before they enter the critic factory and dissect my movie all over again and cement my place in history as they try to displace the issues they acquired being raised by parents who confuse understanding with police work, and so those directors, writers, even actors, etc. might as well work to override the robotic and absurd directives those future critics will receive with something the director, writer, actor would like mentioned in their own eulogy as “canon”
cars posted:the recurring dream in Prince of Darkness is one of the most effective parts of any of Carpenter’s movies at doing what he does best
that plot point is so insane and out of nowhere i don't think anyone else could have come up with that
AZ_IZ_OT posted:have any of you seen Kill List?
its great
lo posted:shriekingviolet posted:The Witch really shot itself in the foot marketing itself as a horror movie, which sets up wrong expectations that make people hate it. It's a really excellent film as just a straight up drama about how puritans were shitty people and catastrophically bad at life, the madness embedded bone deep into settler culture, and some bonus atmosphere as a garnish.
its a horror movie, just not the 'a ghost jumps out and scares you' kind
Yeah, this says far more about the terrible tastes of amerikkkans than its effectiveness as a horror movie. I was thinking about this today and it all comes down to what you want out of the genre - essentially horror is defined by the intense negative emotions its ment to evoke - fear, disgust, unease, dread; which means that its a rediculously broad catch all term while simultaniously being very narrow in peoples opinions of what "horror" is. The "enjoyment" of horror is entirely subjective - differnet people are afraid of dfferent things, what people find uneasy and unsettling often depends on peoples lived experience, different situations resonate with some people much more strongly than others. I can watch a film that makes me feel absolutly petrified and finishing it feels like taking my first breath for 90 minutes and then someone else will go and say that they found it boring and not scary - thats art. I think that return to oz is a great horror movie, other people think i am stupid for saying this :shrug:.
i find the best films are the ones that invoke an oppressive sense of tension and dread; and especially if it manages to capture a sort of ineffable sense of malice in mundane situations, relationships and the very landscape that surrounds them - kill list was mentioned above and this is such a great example, watching it reminded me of watching audition and a bunch of other japanese horror for the first time; but both the witch and it comes at night do this as well hence the inevitable "boring and slow and not scary" complaints
anyway i want an adaptation of disch's the genocides; that wil bring me the despair and hoplessness i crave
tpaine posted:never saw frankenstein
but what about young frankenstein?
swampman posted:Gyo Tokyo Fish Attack
Here’s our video of the octopus beach invasion we had in New Quay, Wales over the weekend #visitwales #octopus pic.twitter.com/cg6iuLwGwW
— Seamor Dolphins (@SeamorDolphins) October 30, 2017
it's happening ppl and right on time
BREAKING: Scientists discover new hidden chamber in Egypt's Great Pyramid, say its purpose is unknown.
— The Associated Press (@AP) November 2, 2017
tpaine posted:fire in the sky is pretty good
cars posted:how falling in love with people means loving their bodies but then everyone’s body becomes nauseating sometimes
sexual encounters are alien encounters. mysterious skin came too close to this. it was a part of an embarrassingly (sigur ros level) alienated phase in my life.
sticking to the contemporary anglo horror scene (avoiding b&w classics like caligari, vampyr, freaks, etc and j-horror), i second low budget horror-comedies (along with petrol) like peter jackson's oedipal workout braindead. in the 21st century, Neil Marshall's dog soldiers was similarly satisfying. watch it tpayne. some would say his second flick the descent is better. its a platonic 'allegory of the (feminist) cave' - women trapped in the womb of nature.
hell yeah i can't wait to read about russian history in the original language pic.twitter.com/3Qvgc8Kl69
— pav ☭ (@MissPavIichenko) October 31, 2017
Citizen Kane
The Bicycle Thieves
They Live
Rear Window <- i am here
Mulholland Drive
Princess Mononoke
weird stuff (shorts)
Interstellar
The Red Shoes
tpaine posted:
FUCK. THE. CAVES.