hell
sosie posted:
Impper posted:
fuck, what? obey the fucking law. i am a conservative
And you! you reuined LF! even before the LF from the olden days i hated you, you were so stupid but people for whatever reason pretended you weren't an idiot
joan copjec. hopefully you will kill yourselves
what in gods name are you talking about?
Fucker posted:
deadken posted:
if u read a scene from a longer work without context you might not have a full & complete understanding of it tho?
györgy konrád said that even if a reader was presented with a random sentence cut off from your work, it alone should be enough to give them something to think about.
i used to think of that as trite but after every new great novel read i agree with it more and more. heres a randomly chosen sentence from his work (i just opened the book at a random page and pointed at one) "He smiles picturing a situation that was under his control alone"
lets be more lenient and just cut off a genuinely randomly chosen string of a couple sentences from master & margarita
"Natasha opened her fist and revealed some gold coins. Margarita turned her questioning eyes to Woland. He nodded. That's when Natasha threw herself to Margaritas embrace, gave her a melodramatic kiss and triumphantly flew out the window."
now, i translated those from the finnish editions so they prolly dont make you feel like the originals or the (really hella good) finnish translations do. but i get genuine joy of living just from those few sentences without any context. the feeling that you get when you read prose by masters. that were all just people, livin within our surroundings, interacting with other people. thats its ok. its gonna be ok. what im sayin is, every scene should be enjoyable, meaningful and a joy to read out of context. a really good thing every writer should do is at least in their mind give every chapter a title to the tune of "chapter 8, where..."
so is the imppers scene "chapter 3, where a conversation is had in miloses car" or "where the girl learns about the two friends" or "where we meet miloses car". whatever one chooses, that has to be the focus of the chapter and explicitly so. a whole bunch of other stuff can happen of course, but they should not be something that the reader needs to remember later in the story. or i guess you can go super rhizomatic and not give a fuck but then you reeeeaaally need to be a master of your craft and have a super sharp hattori hanzo of a style
the bird brains word christlove is a really really good one btw. ponder on it, all.
i agree with all of this a lot... though i don't love either of those passages too much. but i ko what u mean
sosie was probated until (Oct. 19, 2011 15:32:56) for this post!
sosie posted:
you. can't. write. .
why did you hate me "since olden lf days?" what? oh, i'm idiot. ok.
tpaine posted:
Impper posted:
sosie posted:
Impper posted:
fuck, what? obey the fucking law. i am a conservative
And you! you reuined LF! even before the LF from the olden days i hated you, you were so stupid but people for whatever reason pretended you weren't an idiot
joan copjec. hopefully you will kill yourselves
what in gods name are you talking about?
i think that's 2009 mod achille's_tendency??
oh, i remember this asshole
Impper posted:
i agree with all of this a lot... though i don't love either of those passages too much. but i ko what u mean
i really butchered em, heres one from Irving straite from the source 'Saskia had stopped being a prostitute more than ten years before; her retirement hadn't improved her disposition, Nico forewarned Jack.". freakin magic. the kind of sentence that makes you angry if you dont get to read the next one. basically every one should be like that and with the best of em they are. enticing
deadken posted:
great novels are never really character-based imo, every great literary character has been a stand-in for some general idea or principle
dats not even close to being true in any sense way or form, mang
Fucker posted:deadken posted:
great novels are never really character-based imo, every great literary character has been a stand-in for some general idea or principledats not even close to being true in any sense way or form, mang
your innocence actually really bothers me, i hate you and i hope you die, bye!