sovnarkoman posted:https://deadline.com/video/adam-curtis-bbc-cant-get-you-out-of-my-head/looking forward to adam curtis releasing the same documentary for the 50th time
Hypernormalisation was trash but I'll still watch this, mentally compose a series of searing takedowns, and never post them
My friend Adam Curtis has made this trail for his imminent new series 'Can't Get You Out of My Head: An Emotional History of the Modern World.' The trail is exclusive to this tweet and will exist nowhere else! I love the series and its wild range of stories. pic.twitter.com/jCe8FqM8H6
— jon ronson (@jonronson) January 24, 2021
http://colourfield.de/en/films/russia-from-above-kinofilm/
burritostan posted:if anyone knows how I can watch this, lemme know. thanks
http://colourfield.de/en/films/russia-from-above-kinofilm/
looks like you'll need to be in an aircraft above russia!
Chinese docu about how they lifted people out of poverty almost 10 times faster than the USA is throwing people back into it.
Flying_horse_in_saudi_arabia posted:sovnarkoman posted:https://deadline.com/video/adam-curtis-bbc-cant-get-you-out-of-my-head/looking forward to adam curtis releasing the same documentary for the 50th time
Hypernormalisation was trash but I'll still watch this, mentally compose a series of searing takedowns, and never post them
So I finished watching the final part of this last night. I'm going to go out on a limb and say... it was good, actually?? Not about to give it unqualified praise, of course. But bearing in mind always that it is presented as an "emotional history", and watching from the critical perspective we should all be accustomed to when consuming any media, it was actually a rather intriguing and worthwhile experience. For every time I winced at a generalisation or mischaracterisation of something, I was very pleasantly surprised at other elements. Notably, in the final part (spoiler alert!), he very explicitly frames the liberal idea of the 2016 election being stolen through a misinformation campaign by Cambridge Analytica and the Russians as a conspiracy theory in the pejorative sense (and I enjoyed his broader exploration of postwar conspiracy theory subsuming both truth and fiction).
Anyway, I think this is his best work since the Power of Nightmares. Ever since 2009's more explicitly experimental 'It Felt Like A Kiss' he's been trying to work out how to strike a balance between a more impressionistic style of filmmaking and the formal concerns of the documentary, and this is definitely the closest he's come to really making it work. It helps perhaps that he's not confined himself to a dead-end topic like "what's the deal with afghanistan? (feat. a bunch of b-reel I found in a closet in kabul)" or "what's the deal with russia? (feat. a shitty book i just read and got too obsessed with)".
Flying_horse_in_saudi_arabia posted:It helps perhaps that he's not confined himself to a dead-end topic like "what's the deal with afghanistan? (feat. a bunch of b-reel I found in a closet in kabul)" or "what's the deal with russia? (feat. a shitty book i just read and got too obsessed with)".
Flying_horse_in_saudi_arabia posted:No. I can't find the interview now so I'm paraphrasing but he felt he couldn't use it because it was too iconic.
hmm... gonna give him that one... everybody gets one
swampman posted:I turned it off after he said "I'm not interested in materialism" and set out his dual genocides theory in episode 1
one of my big problems with the first couple episodes was this whole segment too:
me: Hmm, maybe I'll try watching an Adam Curtis documentary, I heard these are good.
— Don Hughes 🦌 (@getfiscal) February 18, 2021
Adam Curtis: In the beginning, Jiang Qing was a psycho bitch who tried to casting couch her way into fame. But her essentially feminine insanity drove her inexorably towards socialism.
from what i can tell that part was mostly cribbed from one of those classic british books about how mao/someone close to mao was an insane evil person with bad teeth or whatever
aerdil posted:classic british insane evil person with bad teeth
Synergy posted:something about that video made me so uncomfortable i had to close it like half way through
lurk moreâ„¢
Synergy posted:something about that video made me so uncomfortable i had to close it like half way through
It's kind of interesting that communists don't have a good argument for how they plan to deal with the corrupting power of Satan? Who must ever undo the kindly deeds of Men
hipster dipshit that I am, as a dumb teen I bucked the trends by double carding as a discordian while leading an evangelical youth group. both were tragic mistakes but this is how children learn.
tears posted:panos cosmatos's film "beyond the black rainbow," which is exactly the 2 hour long synthwave music video you would expect from a nerd whos father made rambo first blood part 2
he's a cool director and i hope gets to make more movies
Flying_horse_in_saudi_arabia posted:Flying_horse_in_saudi_arabia posted:
sovnarkoman posted:
https://deadline.com/video/adam-curtis-bbc-cant-get-you-out-of-my-head/looking forward to adam curtis releasing the same documentary for the 50th time
Hypernormalisation was trash but I'll still watch this, mentally compose a series of searing takedowns, and never post them
So I finished watching the final part of this last night. I'm going to go out on a limb and say... it was good, actually?? Not about to give it unqualified praise, of course. But bearing in mind always that it is presented as an "emotional history", and watching from the critical perspective we should all be accustomed to when consuming any media, it was actually a rather intriguing and worthwhile experience. For every time I winced at a generalisation or mischaracterisation of something, I was very pleasantly surprised at other elements. Notably, in the final part (spoiler alert!), he very explicitly frames the liberal idea of the 2016 election being stolen through a misinformation campaign by Cambridge Analytica and the Russians as a conspiracy theory in the pejorative sense (and I enjoyed his broader exploration of postwar conspiracy theory subsuming both truth and fiction).
Anyway, I think this is his best work since the Power of Nightmares. Ever since 2009's more explicitly experimental 'It Felt Like A Kiss' he's been trying to work out how to strike a balance between a more impressionistic style of filmmaking and the formal concerns of the documentary, and this is definitely the closest he's come to really making it work. It helps perhaps that he's not confined himself to a dead-end topic like "what's the deal with afghanistan? (feat. a bunch of b-reel I found in a closet in kabul)" or "what's the deal with russia? (feat. a shitty book i just read and got too obsessed with)".
Everything was forever until it was no more is a fantastic book that curtis does a big disservice to with Hypernormalisation. this series is good though yeah