Impper posted:i met animedad irl. irl
'There is nothing worse than meeting someone from the internet in real life. Nothing.'
- Fuck and Destroy
"Erm. Ehh, uhh, are--are you ready?" impper sheepishly mutters, eyes affixed to the cashmere carpeting, hoping to avert accidental eye contact.
Animedad effortlessly glides past in a sheer nightgown, the tip of which brushes against impper's calf, sending shivers up impper's spine as though a million cilia had been individually electrocuted in tandem. Animedad twirls on his heels, facing away from impper, before giving pause and disrobing to reveal the vulnerable soft, pink, and supple flesh underneath the protective undergarment. "Paint me like one of your French girls, Johny iMppad" Animedad softly whispers from the side of his mouth before resuming his previous trajectory and scaling a Victorian era wooden love seat. With his back now arched nearly to the breaking, he wildly whips his long flowing hair counterclockwise in seemingly slow motion, until his eyes cross path with impper's--and here, with the most soul piercing, suggestive gaze, and body language, animedad gives answer to previous question: "Yes, I'm ready for my portrait."
It all comes down to this; The culmination of existence, transfixed within a suspension of memories and thoughts, both born of past and of future. Their meaning given weight by this one transitory moment - But do I know enough Tool and Smashing Pumpkins lyrics to pull off the greatest literary work of my life?
Impper posted:i met animedad irl. irl
i met discipline irl and i had falafel for the first time in ages, AAA would lunch again
may our collective bad conscience guide us forward.
animedad posted:no more sobbing women and 2am shootouts. beautiful and intelligent people surrounded us that night. we talked about books, southern rap played, amphetamines offered. the moon was full, grown to its full potential as an earthly object. the glu cru and hard brothers have officially broken bread.
may our collective bad conscience guide us forward.
hahah. you have been officially invited to killer mike show on friday .. btw.
*holds up really big yet light hardcover book, opening the cover to reveal giant hole cut in middle of it in which a fist comes through and punches you in the face*
it's popomo
Impper posted:
i can second this. aesthetics on point.
er that, i dunno how to post - but animedad was beautiful.
cleanhands posted:i wanna chill w/iwc and maybe deadken but hes kinda young, just imo
im 14 and i have my own allowance and smoke cigarettes and read books about marxism. im more mature than 90% of adults i think
i read something that drew a lot from it/adorno so i kind of want to read the book, but i can't find a download at the moment
tpaine posted:hi joel
whats up tpaine
deadken posted:adorno tho, its really hard to read the culture industry and not agree with everything in it but at the same time u have to remember that adorno was a grody ole sourpuss who didn't like jazz and would have HATED dubstep.....
swing jazz for sure, but methinks he may have had a different view of avante garde jazz and for that matter non-mainstream/experimental dubstep if it demonstrates an ability to not succumb to commodification and doesn't easily encourage fetishization of itself. he may tolerate the music if it represents something new and individual and not something always-identical to what already saturates our culture (which probably does eliminate most but not all dubstep tbh).
In music, too, collective powers are liquidating an individuality past saving, but against them only individuals are capable of consciously representing the aims of collectivity
* soon for me means by 2020.