his style comes across as tawdry jeremiad, and perhaps its the slugs of hegel i've been drinking but there's no reason in his disavowal, its emotive confessional excoriation; where the fetters of personal reaction to individual events corrode ones ability to comprehend the messy complexity of the capitalism arc in toto. discard emotion, put politics in command
good luck sleeping in your procrustean bed, cope-man
lo posted:drwhat posted:
no, unfortunately pro wrestlers are quite bad at writing memoirs
Bret Hart's memoir is actually very good because he's so self-serious that he's convinced he is creating an actual historical document.
But then he turns around and starts lying about how awful it was for him to be constantly cheating on his wife with waitresses
Constantignoble posted:Constantignoble posted:Just finished reading Colin Drumm's dissertation, "The Difference That Money Makes"...
Update: After chewing on this for a couple of months, I think I've gestated some responses to Drumm. I no longer believe that his chapter critiquing Marx succeeds, though the rest of the book is still plenty interesting, and I give points for at least making one of the more unique attacks I've seen.
If anyone else here has read chapter 1, let me know. I'm eager to discuss the specifics, but whereas the audience here is fairly sympathetic to my position from the outset, I'd prefer that folks look it over independently; when I attempt to express the arguments alongside arguing against them, I've found the feedback has been a bit less muscular than I've hoped. It's probably just not a good way to absorb an argument, to see it summarized and then immediately attacked.
put it up and i'll give it a whirl!

Sabella, or The Blood Stone by Tanith Lee
Galileo by Bertolt Brecht
Unseen Cinema: Early American Avant-Garde Film 1893-1941 edited by Bruce Posner
I'll probably read Galileo first
Just finished this
slipdisco posted:anyone's got the tea on this? need to know if its worth reading in full https://decompositions.noblogs.org/writing/
idk if
allow us a moment to be parsimonious. Composition is a both material process and a practical activity—a noun and a verb. It follows that analyses of composition and the composition problem have historically been both descriptive and prescript--

https://thestalinera.substack.com/p/the-enigma-of-terror-part-ii posted:While some may bristle at the characterization of Stalin as a democratic reformer, the archival evidence brought together by the numerous historians cited in this article does indicate this was the case—at least during the period of the terror. Stalin’s form of democracy was infused with the righteous violence of class war, as state repression and mass mobilization were intimately bound up with the notions of socialist revitalization. For Stalin, empowering the working class rank and file went hand-in-hand with breaking up bureaucratic cliques and eradicating perceived state enemies. However, Stalin’s battle for democracy ultimately ended in defeat, as the regional leaders effectively outmaneuvered him, exploiting state security fears to subvert his political vision. The vicious mass operations were the culmination of this bitter power struggle over the introduction of democratic reform. The regional leaders may have won this battle, but the war was not over.