tears posted:
misread as "skincess," which is also a good name
Acdtrux posted:kinda sounds like violent femmes or something
i love caroliner, btw
swampman posted:HAS ABSOLUTE MUSIC NO CLASS CHARACTER?
The push towards a nationalistic sound came with the pseudo-dystopian mindset that prevailed in the Sweden of the 1960s, something that stood in dire contrast to the 'peace and love' ethos of hippy idealism. In the mid-60s, large parts of the inner city of Stockholm, the site of many houses and homes, were bulldozed to pave way for the new architectural wave of the future: towering skyscrapers, "glass and concrete". The album, with its telling opening track of Dies Irae played on horns, aims to reflect the loss of nature in the name of human advancement. Another track, "The Runcorn Report on Western Progress", was written by the group's leader, Bo Persson, and reflects a visit to Runcorn (a suburb of Liverpool), in the summer of 1951: it hadn't rained for three months, and the pollution had turned the sky yellow, blotting out the sun. To follow this theme, the group changed its name from Pärson Sound to "International Harvester", taken from the American company that manufactured agricultural machines. To quote Swedish freelance journalist Magnus Haglund, "It meant death. Death to western culture. Death to all kinds of borders."
no one ever talks about this Shostakovich symphony
second_axiom posted:the first megacomp they just released
its good
tears posted:its good
i am sure shoebill would be glad to hear you liked it, i will pass along the message. godspeed