swampman posted:One of these movies hit me with a closeup of a child's severed head with ants eating it.
In retrospect, the unnecessary duration of that shot was a big red flag that the ending was going to be really dumb and terrible.
dimashq posted:What movie was that
Why? Because you intend to seek out pictures of mutilated children?
dimashq posted:What movie was that
Paddington 2.
- A Simple Favor (2018)
- Loving Vincent (2017)
- Unsane (2018)
and that's it. the rest of them sucked royal ass.
swampman posted:My picks for good movies of 2018
- Loving Vincent (2017)
downvoted for historical inaccuracy
Edited by ilmdge ()
toyotathon posted:'most damp surfaces' and 'most face-touching' 2018 oscars will for the fifth year running, go to 'hard to be a god'
that movie is incredibly cool
Populares posted:Fuck you alien and aliens are masterpieces.
Alien is better than Aliens.
swampman posted:Then suddenly at the end of episode six, bamn, there's Adam Driver cutting off Anne Boleyn's head for some reason. Totally gratuitous and not how normal people solve their problems.
I don't know what this show is but you better not be talking shit about our good friend Louisette, who has shown you can solve a lot of problems by cutting people's heads off.
shriekingviolet posted:Alien is better than Aliens.
That's true. But in defense of Aliens, in the category of blatant un-credited scene-for-scene rip-offs of someone else's movie, it's one of the best ever made
swampman posted:My review of both Venom (2018)
It's interesting to me how that movie arrived at that bad way of telling a story through the most needlessly complicated way possible. That movie has an ever-present voice-over always talking with the main character because the movie is adapted from a semi-parody of a much older story, one that was written for young adolescents and covered for its own hero talking to himself all the time by making him a guilt-ridden neurotic worrying over a busy love life.
And that guy talked to himself all the time because it was necessary to help a young audience follow a serial-fiction story that was plotted and drawn before it was scripted, and since the guy scripting it had set up his job and the company so he rarely had to talk to the writer-artist, a story about a solo character could end up incoherent on the page, because a hero without teammates had no excuse to explain what was happening to the kids at home. The hero of that story had to keep telling himself and the reader where he was and what he was doing, and it didn't help that the original artist quickly decided he hated the guy writing the script, who was also his boss and stole everyone's work at the company.
So that movie got to voice-over narration because it had become essential to the elevator pitch that sold the movie, there was no movie without it, and the movie had to exist eventually through the polyp-like growth of exploitable properties traded around Hollywood. It took a precise combination of historical events to make something mundane and ugly happen, like hiking the Appalachian Trail to find a place to shit. It's a pure unadulterated glimpse into where superhero movies have led popular cinema and it should probably be destroyed but I liked the part where Tom Hardy climbed into the lobster tank at the restaurant.